CULTURAL RELATIONS OF THE BULGARIAN CONTEMPORARY ART AT THE BEGINNING OF THE XXI CENTURY WITH THE EUROPEAN MODERN AND CONTEMPORARY ART

Authors

  • Gergana Mudova The MUSIZ Foundation

Keywords:

contemporary art, modern art, artistic approach, terminology, art history

Abstract

TThe present article focuses on the sociocultural relations of Bulgarian contemporary art in the context of European modern and contemporary art. Objects of analysis are both the social setting and the public attitudes, which have  affected the new forms of art in late 20 / early 21 century in relation to European traditions. The resulting artistic  dispositions and processes in the country are largely borrowed from western culture, and the adaptation and definition of notions like “modernism”, “avant-garde”, „unconventional forms of art“, „contemporary art“, „happening“, etc., pose certain challenges to the Bulgarian art critics, especially with a view to their use and application in art theory and  critique.

The historical perspective is fundamental for the shaping of artistic processes; it offers a parallel examination of the  social and political situation, in which these have developed, further reinforced by the author’s chosen approach to present the place of the artist in community life in traditional terms. It is essential to fully recognize the interrelations  between Bulgarian and European cultural processes, in order the reasons behind them and the ensuing local achievements formulated from the viewpoint of alternative and contemporary art in the country to be explained.

The author suggests a correlation of the established terminology, designating the internationally accepted notions for contemporary artistic trends, and their interpretation in sociocultural aspect. The text is an attempt to conceptualize a pan-European perspective for the development of innovative practices in Bulgarian contemporary art.

Author Biography

  • Gergana Mudova, The MUSIZ Foundation

    She is a PhD student at the National Academy of Art Sofia at the Department History of Art (Modern and Contemporary Art). Her professional practice involves organization and curation of multiple international and Bulgarian exhibitions, art catalogues publishing, lectures and discussions in the field of visual arts. She endeavors to develop and promote contemporary Bulgarian art on the local scene, as well as on international level.

    E-mail: musizfoundation@gmail.com

Published

2021-07-30

Issue

Section

Cultural Theory and History